The true diamond, though, is Sam Rockwell's dim-witted cop Dixon, the racist lunk whose surprise redemption is this superb film's final coup de grace. McDormand is at her fiery best in the lead, often testing our sympathies by refusing to accept the stark realities of the seemingly uncrackable case, and Harrelson takes the happy-go-lucky sheriff into heartbreaking scenes that leave comedy far behind. Three Billboards wobbles during its tightrope walk between comedy and drama, but is kept on-course by careful direction and two fiery performances. Hayes, however, is not to be deterred, and her show of defiance kick-starts a beautifully scripted and characterful black comedy that turns expertly, and effortlessly, on a dime. 3 debut for Meek continued a streak for the Philly native as all five of his studio albums have earned at least Top 3 debuts on the Billboard 200 chart. Mildred Hayes, a woman in her early 50s, goes to war against her local police force, believing them to be too inept to solve the murder of her daughter. Frances McDormand stars as Mildred Hayes, whose attempts to shame the town sheriff (Woody Harrelson) into action rankles with the local population, not least because he's a well-liked, well-meaning family man. Three Billboards Outside Ebbing, Missouri. A desperate mother backing an ad campaign to find her daughter's killer might seem like the premise for your average inspirational underdog story, but In Bruges writer/director Martin McDonagh's Oscar-winning film is a far more nuanced proposition than that.
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